Madeleine Ruggi (b.1991) is an artist working in London, UK. Ruggi’s artistic practise seeks to grasp her own body’s position among infrastructures of trade and processing that are often concealed to consumers of the global West. She uses conversations, site visits, radio communications, field recordings, found and gifted objects as well as steel, collage and print to ask how she can responsibly engage with the  world in which she lives, understanding how decisions in her immediate setting may impact the world at large.

Her often ordinary and small-scale materials — a slice of ship exterior, a VHF radio scanner or a piece of wire mesh fencing—literally embody a fragment of gargantuan, often unseen industries. These act as departure points for Ruggi to confront the cycle of trade and consumption that she too is inextricably involved in. Her direct, bodily engagement with these loaded materials connects states of desire with demand, as well as with the macro-constructs of mediation and power that serve them.

Madeleine has a BA from Central Saint Martins, London and an MFA from Piet Zwart Institute, Rotterdam. Her work has been presented at Tate Modern, London; Camden Arts Centre, London; Kunstinstituut Melly, Rotterdam; Whitstable Biennale, Whitstable; European Cultural Centre, Venice; Guest Projects, London and Bussey Building, London, amongst others.


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Email: madeleineruggi(at)gmail.com                                    








SOLO + DUO EXHIBITIONS


La lingua me defendi
Varco Momumentale VII, Porto Vecchio, Trieste, 2024

The gateway as a point of encounter
[duo show with María José Crespo], PuntWG, Amsterdam, 2023

TRANSMISSION—CARRIER 
commission, Whitstable Biennale, June 2022

MINIMUM IS MAXIMUM IN DRAG
inNeoss, London, 2019

LIMINAL
inNeoss, London, 2017



SELECTED GROUP EXHIBITIONS


This Is Reality and It Was But One Chat Away
Ubik, Rotterdam, July 2022

I Must Be Living Twice
curated by Shimmer, Palazzo Mora, European Cultural Centre, Venice, April - November, 2022

A High Hang
Eccleston Project Space, London, 2019

Nourishment 
curated by Anousha Payne, Guest Projects, London, 2019

Forced Collaboration
[online], Forced Collaboration, 2018

12ø Collective,
[online], 12ø, 2018

PSEUDO-CREM
The Vinyl Library, London, 2014


Print/3
Arcane Gallery, London, 2014

Artists in Residence
Camden Arts Centre, London, 2012

Resembling Ham in Taste
Mori and Stein Gallery, London, 2012

COMM
Bussey Building Art Space, London, 2012



GRANTS


Amsterdams Fonds voor de Kunst, 2023

The Eaton Fund, 2023



TALKS // PERFORMANCES


The gateway as a point of encounter [performance presentation by Madeleine Ruggi and María José Crespo], PuntWG, Amsterdam, 2023

Witnessing as a method of getting through gateways [performance presentation by Madeleine Ruggi and María José Crespo], Kunstinstituut Melly, Rotterdam, 2022

Proxyerotics [performance presentation by Madeleine Ruggi and María José Crespo], Royal College of Art, London, 2021

Up Hill Down Hall: An Indoor Carnival [collaborative sound performance with Georgia Gendall], Turbine Hall, Tate Modern, London, 2014



SELECTED PRESS


Frieze
13 June 2022, The Elemental Pull of Whitstable Biennale, by Chris Sharratt, read here

MetropolisM
25 July 2022, Graduation Shows - Piet Zwart Institute, by Jorne Vriens, read here



RESIDENCIES


Scottish Sculpture Workshop 
Lumsden, September - October 2024 

POP Adriatico
Trieste, May - June 2024 

Camden Arts Centre, with Central Saint Martins
     London, 2012


EDUCATION


2020 - 2022 MA Fine Art
Piet Zwart Institute, Willem de Kooning Academie, Rotterdam

2010 - 2014 BA (Honours) Fine Art
Central Saint Martins, University of the Arts, London

2012 - 2013 Diploma in Professional Studies
Central Saint Martins, University of the Arts, London

2009 - 2010 Foundation Fine Art
Byam Shaw School of Art, Central Saint Martins, London