Madeleine Ruggi (b.1991) is an artist working in London, UK. Ruggi’s work seeks to grasp her own position among vast infrastructures of trade that sprawl across the globe yet remain largely unseen by consumers. She uses conversations, site visits, radio communications, field recordings, and found materials along with steel, collage and print to ask how she can responsibly engage with the world, understanding how decisions in her immediate setting may impact systems at large.

Her seemingly ordinary, small-scale found materials have ranged from a slice of container ship exterior to a VHF radio scanner or a length of tyre tread, all of which bear witness to the overlooked — and often remarkably sculptural — physical materials that serve gargantuan trade systems. Her direct, bodily engagement with these loaded materials connects individual states of desire with large-scale demand, and reflects on the mediation and power that fuel global industries, while examining the broader consequences of personal consumption.

Madeleine has a BA from Central Saint Martins, London and an MFA from Piet Zwart Institute, Rotterdam. Her work has been presented at Tate Modern, London; Camden Arts Centre, London; Kunstinstituut Melly, Rotterdam; Whitstable Biennale, Whitstable; European Cultural Centre, Venice; Guest Projects, London amongst others. She has been awarded the Gilbert Bayes Award from the Royal Society of Sculptors and has received grants from Amsterdams Fonds voor de Kunst and The Eaton Fund. Residencies Madeleine has participated in include Camden Arts Centre, London; Scottish Sculpture Workshop, Lumsden; and POP Adriatico, Trieste. Her work has been featured in publications such as Frieze, Metropolis M, POP Adriatico and The Guardian. 



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Email: madeleineruggi(at)gmail.com                                    







SOLO + DUO EXHIBITIONS


La lingua me defendi
Varco Momumentale VII, Porto Vecchio, Trieste, 2024

The gateway as a point of encounter
[duo show with María José Crespo], PuntWG, Amsterdam, 2023

TRANSMISSION—CARRIER 
commission, Whitstable Biennale, June 2022

MINIMUM IS MAXIMUM IN DRAG
inNeoss, London, 2019

LIMINAL
inNeoss, London, 2017



SELECTED GROUP EXHIBITIONS


This Is Reality and It Was But One Chat Away
Ubik, Rotterdam, July 2022

I Must Be Living Twice
curated by Shimmer, Palazzo Mora, European Cultural Centre, Venice, April - November, 2022

A High Hang
Eccleston Project Space, London, 2019

Nourishment 
curated by Anousha Payne, Guest Projects, London, 2019

Forced Collaboration
[online], Forced Collaboration, 2018

12ø Collective,
[online], 12ø, 2018

PSEUDO-CREM
The Vinyl Library, London, 2014


Print/3
Arcane Gallery, London, 2014

Artists in Residence
Camden Arts Centre, London, 2012

Resembling Ham in Taste
Mori and Stein Gallery, London, 2012

COMM
Bussey Building Art Space, London, 2012



AWARDS + GRANTS 


Gilbert Bayes Award, Royal Society of Sculptors, 2024

Amsterdams Fonds voor de Kunst, 2023

The Eaton Fund, 2023


RESIDENCIES


      Robert Rauschenberg Foundation 
      New York, September - October 2025 (forthcoming)

Scottish Sculpture Workshop
Lumsden, September - October 2024

POP Adriatico
Trieste, May - June 2024

Camden Arts Centre, with Central Saint Martins
    London, 2012


TALKS // PERFORMANCES


Double edged-zones: waterways, borderscapes and corporeal limits [performance presentation by Madeleine Ruggi and María José Crespo], The Institute for Post-Natural Studies and HEAD, Geneva, 2024 

The gateway as a point of encounter [performance presentation by Madeleine Ruggi and María José Crespo], PuntWG, Amsterdam, 2023

Witnessing as a method of getting through gateways [performance presentation by Madeleine Ruggi and María José Crespo], Kunstinstituut Melly, Rotterdam, 2022

Proxyerotics [performance presentation by Madeleine Ruggi and María José Crespo], Royal College of Art, London, 2021

Up Hill Down Hall: An Indoor Carnival [collaborative sound performance with Georgia Gendall], Turbine Hall, Tate Modern, London, 2014



SELECTED PRESS + PUBLICATIONS


POP ADRIATICO – Porto Osservatorio Partecipato
November 2024, La Lingua Me Defendi, a sound installation for the Porto Vecchio di Trieste, by Madeleine Ruggi
, read here

Frieze
13 June 2022, The Elemental Pull of Whitstable Biennale, by Chris Sharratt, read here

MetropolisM
25 July 2022, Graduation Shows - Piet Zwart Institute, by Jorne Vriens, read here
 
    The Guardian
    21 May 2014, Central Saint Martins Degree Show, read here



EDUCATION


2020 - 2022 MA Fine Art
Piet Zwart Institute, Willem de Kooning Academie, Rotterdam

2010 - 2014 BA (Honours) Fine Art
Central Saint Martins, University of the Arts, London

2012 - 2013 Diploma in Professional Studies
Central Saint Martins, University of the Arts, London

2009 - 2010 Foundation Fine Art
Byam Shaw School of Art, Central Saint Martins, London